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Silk Stockings, 42nd Street Moon, San Francisco

As the romantic lead, mellifluous tenor Mr. Simpson is excellent as the suave and debonair, albeit morally suspect, American ‘capitalist’ who wins Ninotchka’s heart. His carefree performance and physical appearance harkens back to the matinee idols of the era – think Van Johnson or Danny Kaye.
— Stark Insider
Ian Simpson is smooth as Steve Canfield, the American talent agent who falls in love with Ninotchka.
— San Francisco Examiner

 ELF, Grand Theatre, London, Ontario

The rest of the cast are all excellent. As Buddy’s father Walter, Ian Simpson at first comes off as gruff and understandably annoyed with the oddities of a tall clingy man in an elf suit. But even when he is at his meanest toward Buddy and his staff, Simpson suggests that Walter is reaching a breaking point that has more to do with work that has increasingly alienated him from his family than with Buddy. The scene where he finally acknowledges that Buddy really is his son is beautifully acted with a mixture of happiness, regret and surprise. Simpson subtly prepares us from the start for Walter’s big change of personality that occurs near the end.
— Christopher Hoile, Stage Door

The Hockey Sweater, Segal Centre (Montreal) NAC (Ottawa)

Ian Simpson, who plays the priest Father Delisle, is a huge highlight. He shines through in the largest choral number which sees the whole cast crowded around old-fashioned radios listening keenly to broadcasters calling the shots at the Montreal forum.
— Broadway World
the village priest, winningly played by Ian Simpson
— Jamie Portman, Capitol Critics Circle
Ian Simpson is PERFECT as Father Delisle. He is funny and on point and that glimmer in his eye just makes him incredibly believable and likeable in his role.
— Tanya Toledano, montrealmom.com
Of the four other major roles, we were impressed by Claire Lautier who plays Roch’s mom; Ian Simpson, the local priest/hockey coach Father Delisle; and Kate Blackburn, local schoolteacher Mlle Therrien
— Byron Toben, westmountmag.ca

Les Miserables, royal Alexandra Theatre, Toronto

Ian Simpson is engaging as the rebel leader
— Hamilton Spectator

Lady, Be Good! 42nd Street Moon, San Francisco

As the dueling, dancing Trevors, Ian Simpson and Rena Wilson deliver excellent, high-energy performances as they kick and whirl their way through Zack Thomas Wilde’s superb choreography. They’re especially charming in their exuberant rendition of the standard Fascinating Rhythm
— Amy Krivohlavek, CurtainUp
Ian Simpson (Dick Trevor) as the out-of-work brother – must have channeled Fred Astaire. He’s one of the best.
— Lee Hartgrave, BeyondChron

Mamma Mia, US National Tour

The three past lovers are played with great comic effect and singing acumen by Ian Simpson (Harry Bright) , Sam Carmichael (Tony Clements) and Bill Austin (Milo Shandel)
— reviewvancouver.org
Ian Simpson and Milo Shandel complete the paternal trio and do their best to bring texture to more stereotypical characters.
— Pittsburgh Post-Gazette
Ian Simpson, as Harry, provide(s) comic relief.
— Boston Herald Tribune

Guys and Dolls, The Capitol Theatre

As Arvide Abernathy, Ian Simpson has a lovely and touching moment with Adelaide in his ‘More I Cannot Wish You’.
— Joe Szekeres, Toronto Critic for www.OnstageBlog.com

1776, American Conservatory Theatre, San Francisco

With a cast of 26 (!) 1776 eschews chest-thumping, cheap bravado. Instead we see historical figures such as John Adams (John Hickok), Benjamin Franklin (Andrew Boyer) and John Hancock (Ian Simpson) as everyday people with everyday problems – deciding whether or not to open the anteroom windows to alleviate some of that Pennsylvania heat at the risk of letting in flies, for instance, can become a rum-fueled throwdown.
— Clinton Stark, The Stark Insider
Also impressive is how humanizing the show is for these historical figures we’ve all learned about from various dry angles and secondary sources since we were children. We see Franklin as simultaneously pompous, endearing, grouchy, and hedonistically inclined; we see Adams as sharply intelligent and witty, but socially inept, bombastic, and verbose; we see the president of the Congress, John Hancock (Ian Simpson), as both a fair-minded leader and exhausted herder of cats.
— Jay Barmann SFist Reviews

Camelot, Stratford Shakespeare Festival

Ian Simpson as Sir Lionel (all) lend (their) strong voice(s) to the throng.
— Stage Door Reviews by Roger Kershaw and Jim Lingerfelt